The Shine School of Music in Barcelona offers Harmonica Classes with a qualified and experienced Harmonica teacher. The school provides Harmonica training for students of all ages and all levels in English, Spanish and Catalan.
Contact us for more information about our Harmonica classes in Barcelona.
Or try our Online Harmonica Classes.
At the Shine School of Music the syllabus is hand-crafted based on each student’s needs, depending on the student’s level, age and the chosen style. Each student is an individual with distinct musical needs and preferences and and we recognise student’s individuality in all aspects of teaching.
All harmonica Classes are private (one-on-one) and personalised within the syllabus of the chosen style to suit each individual student. If you are interested in Group Classes, please visit our Group Classes page for more info.
The harmonica, commonly referred to as a French harp or mouth organ, is a reed wind instrument utilised in various musical genres, including jazz, country, rock, blues, American folk music, and classical music. Diatonic, chromatic, tremolo, octave, orchestral, and bass harmonica variations are among the various variations of the instrument. The mouth (lips and tongue) are used to move air into or out of one or more holes along a mouthpiece when playing a harmonica. A chamber with at least one reed can be found behind each hole. The most popular type is the blues harp, which has ten air passages and twenty reeds and is diatonic Richter-tuned.
A reed for a harmonica is a flat, extended spring that is usually made of brass, stainless steel, or bronze and is fastened over an airway at one end. The player’s breath causes the free end to vibrate, which causes it to alternately block and unblock the airway to make sound.
The harmonica’s comb, reed plates, and cover plates are its fundamental components.
Numerous blues harmonica players have amplified their instruments using microphones and tube amplifiers since the 1950s. Marion “Little Walter” Jacobs, a harmonica player who performed using a “Bullet” microphone intended for radio cab dispatchers, was one of the early pioneers of this strategy.
His harmonica tone exhibited a “punchy” midrange sound as a result of the mic, which was even audible over an electric guitar. Additionally, Little Walter clasped his hands around the Harmonica to seal the area surrounding it.
In order to hold the harmonica in front of their mouth, harmonica players who also perform on another instrument with their hands (such as an acoustic guitar) frequently utilize a neck rack or harmonica holder.